Lou Reed Hangin Round Free Is Musically#

A movement which took elements of punkвЂ™s rebellious nature, but added sequins and androgyny. However, in Britain a new phenomenon had taken over: glam rock. But you keep hangin' round me And I'm not so glad you found me You're still doing things that I gave up years ago Ho-ho-ho-ho. Lou Reed is the debut solo studio album by American musician Lou Reed, released in April 1972 by RCA Records, two years after he left the Velvet Underground.It was produced by Richard Robinson and Reed and features London session musicians as Reed's backing band, two of whom, Rick Wakeman and Steve Howe, were from the British progressive rock band Yes.HanginвЂ™ вЂ™Round (Acoustic Demo) Lou Reed.

That rare song that somehow feels incredibly personal to everyone who hears it- lyrically identifying and hitting the most raw, intense human emotions and backed by musical perfection. Perfect Day is an achingly vulnerable masterpiece. As the song peaks it bursts into an all-out glam pop groove, вЂSwoop, swoop- oh, baby, rock, rockвЂ™.Perhaps the most famous cut from Transformer is three minutes and 47 seconds of music at its most stunning. As the song reaches its crescendo, ReedвЂ™s voice is at its finest, with a power that intertwines with the music along with the continually unfathomable lyrics, вЂAnd bats, that with a kiss turn prince for youвЂ™. Describing a conversation with Warhol, Reed commented that Warhol had, in typical Warhol style, asked вЂWhy donвЂ™t you write a song called vicious? You know, vicious like I hit you with a flower!вЂ™ It is a fantastic scene setter that acclimatises the listener with its juxtaposing imagery from the opening moments.AndyвЂ™s Chest begins with almost hushed delivery- вЂIf I could be anything in the world that flew, I would be a bat and come swooping after youвЂ™, continuing the beautifully emotive yet gobbledygook lyrics of ViciousвЂ“ taking us on an acid trip with him.

YouвЂ™re still doing things I gave up years ago,вЂ™ seemingly referencing the cocktail of drugs and extra-curricular activities that Reed and his cronies had been exposed to since the late 60вЂ™s.And if Perfect Day is the most famous song on the record, Wild Side is the most instantly recognisable track on Transformer, and certainly one of the biggest commercial hits of ReedвЂ™s career due to its opening over possibly the most iconic bass line in rock history. вЂYou keep hanginвЂ™ round me, but IвЂ™m not so glad you found me. And whether the obsession is with heroin or a person, the songвЂ™s character experiences incomparable joy through their love, but is left empty and vulnerable without it, and the ambiguity adds to the magnificence and majesty of the song and its lyrics- вЂYou made me forget myself, you thought I was someone else, someone good.вЂ™Following on from the haunting balladry of Perfect Day, the guitar driven HanginвЂ™ Round channels raunchy, ferocious guitars over a tale about the characters that latched onto ReedвЂ™s new-found fame. вЂItвЂ™s such a perfect day вЂ“ IвЂ™m glad I spent it with you,вЂ™ Reed croons through the chorus, however, there is quite the debate about whether the lyrics refer to his battle with heroin at the time or a relationship and the emotions evoked by someone you love.

This is evident no more so than on the centrepiece of the record, Satellite of Love, as BowieвЂ™s harmonic backing vocals bring the song to life. Their fingerprints are subtle and the songsвЂ™ key elements are given space to breathe with the musical flourishes perfectly nuanced. She said, hey babe, take a walk on the wild side.вЂ™ Yes, it is a homage to those thriving in the underbelly and melting pot nature of New YorkвЂ™s 1970вЂ™s counter culture вЂ“ the junkies, drag queens and hustlers вЂ“ but also emphasises ReedвЂ™s ideals in that you should be who you want to be, no matter what anyone else thinks about it.As touched upon earlier, Bowie and RonsonвЂ™s contributions as producers cannot be underestimated. Plucked her eyebrows on the way, shaved her legs and then he was a she. Hitchhiked her way across the U.S.A.

Lou Reed Hangin Round Free Is Musically

The cookie is used to store the user consent for the cookies in the category 'Analytics'.The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category 'Functional'.This cookie is set by GDPR Cookie Consent plugin. These cookies ensure basic functionalities and security features of the website, anonymously.This cookie is set by GDPR Cookie Consent plugin. Transformer is the quintessential Lou Reed album and despite other solo career highlights, including the macabre masterpiece of Berlin, it is an essential collection of fantastic lyrical imagery that is a fitting ode to one of the worldвЂ™s most incredible cities.Necessary cookies are absolutely essential for the website to function properly. Whilst New York Telephone Conversation once more puts the city that inspired Reed at the centre of his thoughts as Bowie and Reed mimic the idle gossip that envelops the cityвЂ™s inhabitants- perhaps something they both had been on the receiving end since their careers hit a trajectory.Either way, New York is engrained in Lou Reed, and its a theme he returned to continually throughout his career вЂ“ not least on his excellent 1989 LP, New York. IвЂ™m so Free is musically the closest to BowieвЂ™s own output with its guitars evoking Hunky DoryвЂ™s Queen Bitch, and the strangely big band influenced Goodnight Ladies evokes imagery of a 1940вЂ™s New York smoke filled bar.

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